D’incise – Sauf Morphée

Sauf Morphée
Chase records


D’incise es la mente tras el sello insubordinations, visit web pero además de esto, and es un prolífico compositor que se mueve por una amplia variedad de géneros. En este caso quisiera recomendar una de sus obras más arriesgadas. Sauf Morphée tiene mucho de música electroacústica, youth health compuesta como debe ser, con inspiración y calidad. Apartada de tantos academicismos que la han convertido en muchos casos, en un tipo de música sin dirección alguna y completamente aburrida.


“D’Incise is member of the Audioactivity collective from Geneva. In 2002 he started producing different kinds of electronic music, from dub to electronica, dangerously sliding to the more experimental ways of electroacoustic. His world is made with sound fractures, nevralgic crepitations, melancolic atmospheres and a non-dissimulated fascination for rust and faded rhythms.
In live, he works mostly in improvisation, collaborating with a few electronic or acoustic musicians (Cyril Bondi, Christian Graf, Nicolas Sordet, Johanne Bourquenez, Eric Pailhe, Aymeric de Tapol, Fabien Duscomb, Larkian, Gavin Prior, Tzii, Krzysztof Gavlas, Crashbonsai, Dragos Tara, Guillaume Lantonnet, Christophe Berthet, Gael riondel, Sylvain Darifourc, Marc Perenoud, dj Bouto, Laurent Berger).
His music is unstable, close to electro acoustic, working with textures, breaks, tensions and spectral atmospheres. He is looking for a type of reactive playing technic, distanced from the constraints of the machine. Through his live sampling, he tries to undo the distinction between the acoustic instruments and the computer, blurring your perception in order to force the audience to detach itself from its visual landmarks in order to listen more actively and independently.
From his meeting with the saxophonist Gaël Riondel and the drummer Cyril Bondi is born “Diatribes”, a trio with strong freejazz influences. In an another style, d’incise present a solo live act, closer of electronica, where he operate fluctuations suites of rythmic pulsions, simple melodies and noise waves for a destroyed dancefloor.
He also coordinate the insubordinations netlabel, dedicate to improvised music, and collectivly coordinate the audioactiviste netlabel.”

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